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I am in Sydney for Gondwana Voices National Choral School and with a few days of joyous wanderings to myself, I am in total heaven.
The nostalgia hits hard, making my heart somersault at the most unexpected moments; the dirt and heat of the trains, the impossible hustle of Town Hall Station, the buzz of tourists and sunny ease of Circular Quay, when all you want to do is get from Point A to B, the cocoon which comes from a coffee in a quiet alcove in Glebe, the eclectic assault of Newtown, and the hipster, “single-origin-coffee-smashed-avo” vibe spilling out unapologetically from tiny nooks and crevices of mis-matched, town-housey cafes onto the pavements of Surry Hills.
I am pulled and pushed right back to 2014, to all the struggle, new connections and learning in a year of leaping into the unknown in a manner unprecedented for me, someone who finds pure joy in the ordinary.
Every smell and sound is a reminder and overwhelmingly, I am most reminded of how lucky I am to have taken this opportunity, and how slight a change in mindset can change the momentum around you forever. The thing is this; 5 years ago, despite all, my spirt was unfathomably naive, strong, and buoyant.
Here I am, wandering Sydney as a tourist, and I realise how easy it is to just exist in this exciting yet unforgiving city, where just the commute home can exhaust you, and daily interactions ask more of you than you expect because of the emotional cost of living.
Your brain goes into overdrive for day to day work + survival, and I wonder how young students with not a lot of money figure out how they will make their way when there are hundreds of others, equally as hungry to find their path, doing exactly the same, and doing all the right things.
And yet, some determinedly optimistic part of me thinks that it is still as simplistic as how hard you want to work, how you see things, and how you choose to interact with the world. Sitting on a train going to and from work, you could easily pass 10 years just existing. Just making enough of a living to survive with some semblance of happiness and comfort. But then, sitting with a coffee, dreaming possibilities, or looking out over the harbour on a humid summer morning, and you can wonder what you might do differently. What can you choose for yourself that is a step above just living from one day to the next?
I have everything I need to make whatever leaps of faith I want right now; time, energy, support, love, good health, a wonderful network of friends + family, a beautiful home, food, financial security, and a rewarding place of work. I can literally choose whatever door I’d like; I can take whichever version of sliding doors I dare to reach out for and walk through or pass.
Part of me thinks I was so much braver and grittier in my year in Sydney than I am now, despite being much more sure and confident professionally and personally here and now, five years later. I marvel at how intrinsically the same, yet different, that I am now and how I will awaken the parts of me that have been lying dormant due to a secure way of living.
I was always the girl standing on the edge of the bridge, throwing metaphorical streamers into the wind when I had nothing else to give, and coming into work each day on four or five hours of sleep, and being joyous and playful when that was all I had to offer. To be sure, I worked my arse off. I learned and studied the curriculum I was responsible to teach, I prepped my lessons over and over, I worked at my composition like some sort of obsessive creative habit.
My creative work was as determined as it was impossible, and I never questioned it. I wrote five choral commissions and fulfilled a Composer-in-Residence position that year with limited access to a piano, limited energy and time, and with 3 months of travel and very little money to spare. My God, I was a daring and audacious little biatch! I make myself laugh even now as I reflect, how the hell did I think I had what it would take in time and personal resources to make that year happen when I was so stretched and depleted?
But I did it. Snippets of writing and composing in tiny moments of the day, by the window in the corner of the Conservatorium High School staffroom while everyone else was at lunch, snatches of time in every coffee shop in Surry Hills and Paddington, and sometimes even with a delicious and savoured brunch on the weekends when I could afford it. Something I can afford without thinking now, and that very fact makes me so tender for the me from five years ago. Stolen weekends in practise rooms at the Sydney Conservatorium, where I asked for time on Saturday and Sunday mornings when no other university students were practising, and I would finally be able to hear what I was creating.
Damn, I was courageous.
And in these few delicious days of wanderings, mostly down memory lane with renewed wonder, I am reminded of how to be courageous now that I have everything I need to do so.
Little poignant moment today; I packed away my baton. Four years with the Senior Concert Band, and for an ensemble I didn’t even WANT to direct and fought hard NOT to get in my first year at Pulteney (yes, really! 🤣), I have absolutely fallen in love with the intricacies of looking after this ensemble.
Thank you for the opportunity to stretch myself as a director at this level and as a result, learn to love the craft.
Onwards to new and exciting things with my brand new shiny choirs for 2019! 😊
Just come back from Year 11 Solo Performances with the absolute joy of being a spectator in the audience, not a care in the world in terms of piano accompaniment + marking, and just being able to cheer on my soon-to-be Class of 2019 music kiddies and get excited about their potential.
A very nervous Sir Year 11 was presenting his first vocal program having made the change over from trumpet. Part of the nerves was how Dad would react, and my heart just went out to him, wanting him to nail this performance.
I happened to be sitting in front of Sir Year 11’s parents. Dad leaned over to Mum excitedly and said, “Hey! He’s got a good voice!”
And if looks could kill, his Mum’s would have. She responded, stage whisper: “Yes, DEAR, your son DOES have a GOOD VOICE.”
Sir Year 11’s Dad, somewhat defeated: “WHAT?! It was a compliment!”
Kid, I think you’re gonna be fine next year. 😁
These guys are F A B U L O U S!
But what I love best?! The pure, goofy, joy of singing. They’re great, they’re rehearsed, but they’re also just guys who are having fun singing.
Hilarious. I have several students who are totally nerdy enough to do this!
WOW, today. SUCH a huge example of the quote: “It takes a village to raise a child.”
This morning, I experienced that quote realised in full colour. Playing for a young man who has struggled long and hard throughout his schooling, supported by a small nation of staff, adults, family and friends, and undertaking modified Year 12 Solo Performance with me this year.
He was the pre-music for the whole school assembly, singing “Let It Be”, and quite simply brought the house down. The response was tear-worthy and unprecedented. My heart was beating out of my chest at the piano, and not from nerves. All of it was pure buoyancy and joy at the moment he was creating. 🌟
Thank you so much to the Pulteney community, teachers + students, who have been so open in their support of him this morning. He is walking around believing that Year 12 Solo Performance, and life in general, is possible.
I have to say, tutoring + accompanying for him is VERY much like Forrest Gump’s box of chocolates. Honest-to-God, you really DON’T know what you’re gonna get. It’s an exciting ride from beginning to end, and I think John Lennon + Paul McCartney would have gotten a laugh out of how many viable combinations of words you could get out of Verse 1 alone, when applied to the entire song, INCLUDING the instrumental interlude.