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And this one.
Things will move and change.
“Don’t hurry, but don’t stop.”
I have loved this quote forever. But this week, I had the extraordinary and unsettling experience of really living this quote. I thought I understood it, I’ve shared it with my students, I have it written in my journal. But when you actually walk through the very essence of this quote, my goodness, you cannot help but feel full and lifted up to overflowing.
I was preparing a special medley of pieces for the Class of 2017 Valedictory Dinner. My Year 12 Music class and I shared a lesson of laughter sorting through songs that best represented their cohort last term, where they each threw their suggestions into the ring. The most cringe-worthy, memory-stirring, funny, and meme-riddled top 10 numbers were chosen. Over the holidays, I crudely “frankensteined” them together on Sibelius and the Year 12 Valedictory Medley, in all its cringe-worthy glory, was born!
In recent weeks, my poor Year 12 Music class have been madly scrambling to get themselves ready for their final performance moderations. And I have been unrelenting as a teacher. Gone is the Mama Kwokkie, and in place, is “The Smiling Gestapo Kwokkie”; as one of my students fondly describes, “Ms Kwok in this state is like a Disney princess who can ninja kick your ass to the curb.”
Yet despite the intensity of preparation and the lack of time, every single one of my gorgeous Year 12s was invested in this medley. So we made rehearsal time. We scrimped and scrounged 15-minute and 30-minute time-slots when we could miraculously get the crew together to practise, and my 12s came in over weekends, during the holidays, and before and after school to make up the time they missed in lesson with me. To see them come together like this just made my heart double in size.
Putting this score together cost me 15-20 hours of my time over the holidays, but I love arranging, and was glad to take on this special project for this very special crew.
Our challenges started when we weren’t offered a spot to play. Now granted, just because last year’s Year 12 Music class performed as a band, didn’t guarantee us a spot. No worries, go speak with my Head of Performing Arts, ready for it to fall either way, yes or no, take it on the chin. The support was basic at best; go and negotiate with the organiser of the Valedictory Dinner of Head of Senior School and if it’s a yes from them, you’re on. No worries, go do that, and done, done, done! We are on the program.
But somewhere along the line, communications broke down not once, but several times, and there were problems and roadblocks to our musical performance, over and over, through no fault of anyone. So I kept making noise and negotiating, restating, recalibrating. How much could a musical item take from me, and one that I wasn’t even sure was going to be a hit with the Year 12 cohort?
On the day of the Valedictory Dinner, I felt as if I had carried this musical item and my Year 12 Music class one by one through the whole preparation process. I had never wanted so much to throw the towel in and quit on this performance, and I have never quit on any performance. I felt like I had had to fight every step of the way to get this on the program, without actually wanting to fight at all. I am not someone who does things at the last-minute, I’m super-organised and love being that way, I always endeavour to be inclusive in my decision making, and I’m transparent in my teaching. For some reason, this preparation run for this performance felt like a battle the whole way.
But as I sat in on the final Year 12 assembly that morning and looked at the faces of that cohort, I could feel my heart brimming all over again, and the motivation rise up. Specifically, I looked at and for the faces of my beautiful Year 12 Music kiddies, the crazy and hilarious personalities, the big hearts and amazing souls I was working with.
Damn it, I was going to go through with this no matter what.
That evening, when I announced the Valedictory Medley to the Class of 2017 cohort + attending staff, I was shitting myself. My words were clear and witty, but my knees were shaking and I wondered if I’d get over to the keyboard in my heels without tripping over.
And you know what?
WE PLAYED THE ARSE OFF THAT PIECE.
It just went OFF.
It’s been a while since I’ve seen such a unified expression of connection, enthusiasm, and rowdy joyful singing within group of Year 12s, most of whom are not musos. I couldn’t help it. I was grinning like an idiot all the way through.
Come to the end of the piece, and the room erupted into applause, the joy and appreciation was palpable. My 12s also forgot themselves and were hugging each other, and hugging me, in pure joy and elation, while we were still on stage.
My moment – The Moment – came when I was called forward to collect the gift on behalf of the Music Department. Now, this job is NEVER meant for me, it’s always Head of Performing Arts, but I had done the work this time, so it fell on my shoulders.
So I walked up, with this incredible envelope of love and achievement around me, buoyant from the Year 12s around me, knowing I had gone against the tide and STILL we had performed and given such joy…and I felt a shiver of uncertainty shoot through me. I couldn’t smile. I wasn’t embarrassed or feeling small; it was the sheer amount of battle and adversity I had gone through that made me too exhausted to step into the light, my light. I walked up so serious and totally unlike myself. Why couldn’t I fully lean into this extraordinary moment?
And then I realised. I was at that moment afraid of my own light. It had become so bright through this moment, borne from adversity, that even I didn’t know how to handle such a brilliance.
I took a breath and kept walking, and when I turned around to look at the hundreds of faces in the room, I burst out laughing! I couldn’t contain the relief, the joy, the exuberance, myself, and all that blinding light.
That amazing light that was shining from me. That’s what it feels like to step into it and own it.
Own it like a boss lady.
You have no idea what you’re capable of until you are standing in that exact spot, faced with that exact decision, or looking at that exact opportunity.
Oh, I love working hard, and I’m annoyingly interested in life. But as for pushing myself out of my comfort zone? It’s so very easy to stay in the cocoon, and just inside the inside the lines.
I’ve done some extraordinary things in my life time when I’ve taken a leap of faith, but it always surprises me how easy it is to be comfortable, how easy it is to be alarmingly safe. Sometimes this is exactly what is needed, as the spirit finds strength in dreaming. Like a field in a fallow season, imagination, courage, and energy need to germinate and grow.
But there is a time for leaping as well…awkwardly, arms akimbo, legs flying, hair wild, eyes even more so! And leap you absolutely must to live. Because when we are pushed outside of our comfort zones in whatever way life dictates, we grow. So beautifully, and so essentially. It doesn’t have to be incredible and life-changing, it just has to mean that you are moving, one foot in front of the other.
And in those periods of intensive growth, everything looks different. How I wish I could pin this down more!
It all comes down to viewpoint, courage, and imagination:
A challenging student becomes a necessary and strengthening conversation, then bond, then seedling of change.
The chance to speak changes from being a scary thing, to a chance to change viewpoints, and affect opinions.
A choir rehearsal becomes a chance to energise a group of students who trust you, and to joyfully sing and be in a way they do not get to be in the classroom.
A composition becomes a story, a snippet of soul.
A book becomes a refuge, a ship of the imagination.
A conversation becomes a doorway, and a threading of trust and love.
Everything looks different. Everything bursts and brims with possibility.
You have NO IDEA what you are capable of, and what resonance your words carry, until you put yourself in that exact spot of learning + leaping!